The Prize of Hope

The 2014 Awardees

This spring, I was approached by Michael Fields of Dell’Arte International to design the 2014 Prize of Hope. This annual award is given jointly by Dell’Arte and the Danish Institute of Popular Theatre.  The founders describe the meaning of the prize as:

“It is given to an individual or theatre who has worked for the hope of humanity; daring, loving, vulgar, serious, poetic—a flash of energy directed against habitual ways of thinking, which are the greatest threat to our culture—for a world in which people use their own eyes, ears, and voice!

The wood records the history of the prize, awarded in the recent past to people like Eugenio Barba & The Odin Teatret, Tim Robbins & The Actors Gang, and many more.
The wood records the history of the prize, awarded in the recent past to people like Eugenio Barba & The Odin Teatret, Tim Robbins & The Actors Gang, and many more.

It was a great honor to be asked to create the prize, but even more special because this year’s recipient was Clowns Without Borders! CWB does amazing work, bringing joy, laughter and hope to people in areas of recent conflict and/or disaster. The honor was even more more special due to the fact that I know so many terrific volunteer clowns who have made expeditions. I have heard many of their stories from Haiti, South Africa, Colombia, the Philippines, and more. It is always inspiring.

A CWB expedition to Haiti to November/December 2013 brought many smiles to the audience.
A CWB expedition to Haiti to November/December 2013 brought many smiles to the audience. Photo courtesy of CWB.

 

The Mission of Clowns Without Borders:

Clowns Without Borders offers laughter to relieve the suffering of all persons, especially children, who live in areas of crisis including refugee camps, conflict zones and territories in situations of emergency. We bring levity, contemporary clown/circus oriented performances and workshops into communities so that they can celebrate together and forget for a moment the tensions that darken their daily lives. We also seek to raise our society’s awareness of affected populations and to promote a spirit of solidarity.

CWB recognizes that our work is made up of small moments. Although small and purely emotional, these moments build upon each other staying with children as they grow and supporting their incredible resilience. CWB works with relief organizations addressing psycho-social needs of those who suffer from traumatic situations. We are not doctors, psychologists or social-workers, but together with these professionals and community participation we create joyful experiences from which children and their communities thrive.

Check out this fabulous video put together for the 2014 Prize of Hope ceremony:

This video contains clips from the documentary Send In The Clowns! (www.sendintheclowns.org).  Also check out this article from the Huffington Post.

Designing the Prize

Every year, the Prize of Hope is different.  An artist is commissioned to make a mask/sculpture that reflects their interpretation of the work of the recipient.

I know many professional clowns, circus artists and theatre professionals who have volunteered their time and skills to make these relief expeditions.

On their return, they often speak of new perspectives gained, of greater realizations of the disparities present in our world,  and of the power of joy.  Joy, even in these small moments, can transform the  monotony of a refugee camp.  It can help people get through another day. It gives them reason to believe and cause to hope.

My first attempt.
My first attempt.
A second attempt. The first is at left for comparison.
A second attempt. The first is at left for comparison.
The winner.
The winner.

 

 

With this idea, I began my work. I wanted to create a mask of joy, one that both reflected and caused that wonderful feeling.

The other guiding thought was that of our interconnectedness. Despite geographies, political boundaries, ideologies, and complex histories, we are all one.  We all live on this earth, and our nourished by light of the sun.  Much like joy, the sun lights our way, helps us to grow.  It is not always visible, but we put our faith in it, and it gives up hope.

The mask is painted so that the rays of the sun emanate from the nose of the clown, spreading warmth and joy.
The mask is painted so that the rays of the sun emanate from the nose of the clown, spreading warmth and joy.

 

Bali 2014 Photos

Bali 2014 Photos

As promised, more photos!  Click on the link above to see all the photos in the blog and many, many more.  It is such a pleasure to share them with you, and to give a little visual context for all I’ve been writing about.

This trip was done through a program of Dell’Arte International. It was made possible in part by funding from the Regional Arts and Culture Council.

racc_orange_horiz

Whittle by whittle

Mask Progress

I write this blog from the airport as I wait for my flight to Portland to board. I wanted to catch you all up on the masks I’ve been making in Bali. In my last post, you saw the old man bondres  I completed.  My teacher pushed me to start two more, so that I could get the hang of beginning from a simple block of wood.

This is a block of pule wood. It is a bit harder than balsa, but softer than pine. I'm excited to see which woods I might work on in the NW.
This is a block of pule wood. It is a bit harder than balsa, but softer than pine. I’m excited to see which woods I might work on in the NW.

Mask 2:  Gajah Mada

For the second mask, I decided to make one that could be used in the dance we were learning.  I sketched a version of the prime minister that I wanted  to create. He’s a warrior, and the first to dance in the topeng.

Evening out the block of wood in the afternoon.
Evening out the block of wood in the afternoon.
After the first rough blocking, we saw our dance teacher Gustu perform his version of this character. I was inspired by the ferocity of expression in his mask. My sketch changed a bit after that.
After the first rough blocking, we saw our dance teacher Gustu perform his version of this character. I was inspired by the ferocity of expression in his mask. My sketch changed a bit after that.

After I showed my sketch to my teacher, he said it was a “Gajah Mada” character. I was confused, as gajah means elephant. (Remember when I went to the Goa Gajah cave? That was fun.) He said it was more of a metaphor, and refers the feeling of strength of the character.

I am taking this one home to Portland to complete the sanding and painting. This mask will have the eyes painted on, and the dancer sees through the shadow-like slit beneath the eye.
I am taking this one home to Portland to complete the sanding and painting. This mask will have the eyes painted on, and the dancer sees through the shadow-like slit beneath the eye.
topengfinal
This is me performing the topeng keras dance on our performance night. Imagine it danced to firelight if you can. The mask was loaned by our dance teacher, and is very powerful.

Mask 3: The Gentle Giant

Halfway there!
Halfway there!

For my final mask I was to start in Bali, I knew I wanted something a little coarser and with a moving jaw.

Chiseling out the teeth. As I look through his eyes, I realized he a little more dim in the bulb than I originally thought.
Chiseling out the teeth. As I look through his eyes, I realized he a little more dim in the bulb than I originally thought.

While working on this mask, Pak Nyoman stood back and let me figure things out as much as he could, which I appreciated. It can be difficult to willingly dive in to your own inevitable mistakes, but it’s much more worthwhile.

And it’s also a bit slower going! I elected to take a couple of extra classes to get some more guidance.  It was fun to work one on one. We got to talk about mask styles from around the world. Nyoman also mentioned that although he is happy to carve traditional Balinese characters, he also welcomes the challenge of other styles, traditional or modern.

But then again, who wouldn’t?  It’s part of the artist’s work and the human condition to follow inspiration and find those things that feed your soul.

Back in San Francisco, my friend Bird models the latest mask.
Back in San Francisco, my friend Bird models the latest mask.

Though I am en route to Portland, fear not, faithful readers! I will be continuing my blog into the future. There are still some things about Bali to write about, and there will always be more masks I’d love to share with you!

racc_orange_horizThis trip was made possible in part by a grant from the Regional Arts & Culture Council.