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Papa Grande tells a story to Tomás and Enrique. Photo: © Pat Moran

The mask is painted so that the rays of the sun emanate from the nose of the clown, spreading warmth and joy.

Ska the hydra, The Maya Project, Teach for India, 2014

Bear for The King Stag. Photo ©2015 Owen Carey

Larval mask

Garloc, the tree troll. Photo: Leslie Gamboni

The Caterpillar

Crone mask

Mrs. Zero

Beth Thompson as the Bear in The Snowstorm. Photo by Brud Giles.

Photo: Leslie Gamboni

Sunset Elephant! I love it when I can conceal the eye-hole the actor looks through.

Carta Pesta, Legno (wood), Cuoio (leather)

Arlecchino

The initial painting treatment. Though I liked it by the light of day, it seemed like it might be too dark for the context in which it would be performed.

Photo: © Pat Moran

Hey Monkey Monkey! I used close-fitting face masks for the monkeys, and you can see the actor’s eyes move.

Pantalaone

Scapino

Pulcinella

Judgement

A variation from the previous sculpture. The eyes were further refined and smoothed with paper clay.

Mug Ruith. Photo: Leslie Gamboni

“A Midsummers Night Dream”,The Portland Ballet

The Sand Rider. Photo: Leslie Gamboni

Draybeck, the dragon sorcerer. Photo: Leslie Gamboni

Wooden bondres mask

Washed Up, Nomadic Theatre Co